November 9, 2020

My Sci-Fi, Fantasy & Horror Short Fiction Roundup - October 2020

 


The Gwyddien and the Raven Fiend by J.T. Greathouse in Beneath Ceaseless Skies

This is a marvelous, richly textured fantasy tale involving deep, dark magic and people who have been ravaged in one way or another by that magic. It's set in a world where sorcerers and creatures from beyond the human world stalk the lands, and sometimes sink their claws into people, demanding life and death and sacrifice as their due. Llewyn, the Gwyddien of the story, is a man who, as a child, was altered by magic in order to serve as the eyes and hands of The Gray Lady. He works to defeat demons and other fiends, but when he arrives in a place called Nyth Fran, that work takes a turn he did not expect. I love every bit of this tale and Greathouse's storytelling skill is such that I am now craving more stories about Llewyn and the characters he encounters on his quest. If you enjoyed the recent Witcher series, I think you might find this story right up your alley.

Everything and Nothing by Jenny Rae Rappaport in Lightspeed

Start with a romance: a man and a woman who are wildly and irrevocably in love with each other. Or two men. Or two women. Or two people, because life is beautiful and complex. Just know that these Lovers are important.

Rappaport's story starts out as what seems like a "classic romance" story. Young woman, young man, star-crossed lovers, etc. But here, that trope is reshaped and re-imagined as we follow the lovers through their lives, and as we come to realize that there are other love stories woven into that first love story. I love how this piece deals with the reality of love and living together, and how it acknowledges that things seldom work out the way we thought they would when we were in the first blush of infatuation.

Everquest by Naomi Kanakia in Lightspeed 

Fair warning: I am An Old who played Everquest and Ultima Online when they were still in beta-testing, and Everquest blew my mind and ruled my waking hours in a way that no other online game has really done before or since. This story captures so much of the joyful, frustrating essence of what it felt like to play that game in the olden days. While the part of the story set in the real world deals a lot with the way a game can both isolate and transform a person's life, it is the parts set inside the game that really get to me. The way it's possible to almost, almost live in a fantasy world and become your character, to interact with other people inside the game in a way that is different than you're able to interact with people in your everyday life... all this is captured really well. A must-read if you ever quested in Norrath, I'd say. It's also a story that illustrates the familiar online phenomenon where your "imaginary" online character is, or seems to be, a better incarnation of who you want to be than what you ever manage to be in the real world.

Gretel by Nancy O'Toole in Luna Station Quarterly

I do love fairytales retold and re-imagined and re-shaped. Here, O'Toole puts Hansel and Gretel in the present day, with a dimwit of a father, a mother who dies when the children are young, and a stepmother who finds the new kids an inconvenience. Gretel is the one telling us the story here, and the beginning of the story, when we first get to know her and her mother, is exceptionally powerful stuff. So is the encounter with the witch in the woods, when Gretel and Hansel find out just how much terrible magic can be wrought with gingerbread. Gretel's voice is captured so well, and gives the whole tale a gritty and compelling edge.

The Angel Finger by K.C. Mead Brewer in Craft

This story--about two sisters, a dog, and an extra finger--utterly wrecked me. It's a tense and taut horror-tinged story from the first sentence to the last: stretched taut like a piano wire that could snap at any moment. I love it all: the conflicted relationship between the sisters, the good dog who ends up in such terrible trouble, the well-meaning and clueless parents, and the young girl who feels she is bad bad bad, but who cannot stop herself, either. The ending is emotionally crushing, yet absolutely right.

Ghost Collecting by Sheila Massie in Flash Fiction Online

There are only two reasons why anyone would answer an ad like that. One. They don’t believe in ghosts and they want to get a spectacular, maybe even collectible, vintage chair for cheap. (Nothing about this chair was spectacular or collectible.) Two. They collect ghosts.

If you need a sweet and delightful ghost story this fall, then Sheila Massie's got you covered. A rocking chair is for sale, but it comes with a ghost. And when the ghost collector goes to have a look, they have an ulterior motive...

A Layer of Catherines by Elizabeth R. Moore in Strange Horizons

Fair warning again: I love time travel / alternate timeline stories with messy timelines or heart-wrenching situations or any variation on this theme. Hence, I absolutely love this story. It's not the science or the inherent timeloopiness of the story that matters here. What gives this story its heart, is the pivotal relationship (and the pivotal incident) between two sisters. There's a dreamlike, out of this world quality to the way the tale plays out, and I love that sense of something taking place, impossibly, in the seams and doorways between Here and Then.

The Foreclosure by Marc Abbott in Nightlight

Sometimes, you want to read an honest to goodness horror story where you KNOW something bad is going to happen, AND THEN IT HAPPENS, and it gives you chills at every step. In this story, a man visits his friend who has just acquired a house in a deal that definitely sounds to good to be true. As it turns out, it's definitely way too good to be true. This is my kind of horror: creepy and atmospheric, building up tension with peeks and hints and whispers (and an ominous mail carrier), until the evil reveals itself. Great narration by Matt Peters.

Teeth Long and Sharp as Blades by A.C. Wise in PseudoPod (narrated by Tonia Ransom)

This tale wound and twisted its way into my mind as I read it, as a young woman tells us of how she was attacked by something or someone, how she almost died, but how she lived. As she says in the tale:

Have you ever thought about how fairy tale heroines are like final girls? We survive poisoning, curses, imprisonment, mothers who want to cut our hearts out and hold them in their hands. But we survive, and our survival is an object lesson: act this way, and you’ll be all right. Be pure of heart. Be kind to strangers. Don’t go into the woods at night.

Horror and fairytale and urban legend are entwined here, and while we understand from the beginning who is telling us the story, there's a chilling, evocative edge to the tale as we slowly come to understand, or at least be able to guess, who she is telling the story to. Wise gives us just enough to hint at what kind of monsters might have been hiding in the darkness, and what kind of other monsters might be hiding in plain sight, and the result is a spine-tingling and gripping story. 

And This Is How To Stay Alive in Fantasy Magazine by Shingai Njeri Kagunda

Content warning: suicide.

Kabi feels dizzy. The ground comes up to meet her and dad is holding mum so he does not catch Kabi in time. The doctor keeps saying, “I am sorry. I am sorry. I am so sorry.”

For Kabi, the sounds fade but just before they do, somewhere in her subconscious she thinks she will find me in the darkness. Yes, she is coming to look for me.

But I am not there.

This story left me bawling my eyes out. It deals with difficult, painful subjects, including grief and bullying and physical and emotional violence. It also deals with the love and strife between siblings, between parents and children, and the messy, difficult, and sometimes devastating search for who you are and who you want to be. Be aware that this story is strong stuff, and also be aware that it is beautifully written. There are twists and turns here as a thread of magic is sewn into the story, and there's also a strong hopeful vibe as Kagunda explores the longing for redemption and the possibility of second chances. This story will stay with me for a very long time.

How To Burn Down the Hinterlands by Lyndsie Manusos in The Magazine of Fantasy & Science Fiction

Manusos's tale is an epic in short story form, and includes (among other things) magic swords, an ornery blacksmith with a serious grudge against the ruler of the land, the memory of a brilliant and fierce parent, and a cast of characters that I wanted to follow through at least another few hundred pages. Manusos brings it all too life and draws us deep into a rich and complex world, and into the life of a woman who has practiced her craft diligently for years, and is now being asked to create a magic sword for the ruler who executed her mother. The interplay between the blacksmith and The Armory, the group of fighters sent by the king to negotiate the making of the magic sword, is at the heart of this story and Manusos excels at making you feel for all involved. A layered, powerful story with prose that sings and shines from the first paragraph to the last.

I'm featuring two flash fiction stories from Breathe Fiyah, but really, you should read the whole collection. More about this flash fiction publication:

Breathe FIYAH is a flash fiction anthology created in collaboration between Tor.com and FIYAH Literary Magazine, co-edited by Brent Lambert and DaVaun Sanders.

These stories stand in testament to the power and vitality of Black voices in the face of centuries of institutionalized oppression. This flash fiction anthology features fantastical and science fictional imaginings of Black characters honoring forebearers and memories of the past, fighting the legacies that underpin the brutalities of the present, and demanding a future that’s freer than today.

In the words of co-editors Brent and DaVaun, “We must always give voice to that rage while refusing to let it destroy us.”

Sela, Thief by Zabe Bent in Breathe Fiyah (available at TOR.com)

Sela enters a corner store, exhausted after a day's work and all she wants to do is go home. However, she also has a singular power: to see and quite literally grab a hold of a person's thoughts and emotions and memories. And when the store owner is a racist... well, she decides to take action even though it is at the end of a very long day. Fierce, sharp and powerful fantasy flash that is wonderfully rooted in the real world.

Here Sits His Ignominy by Tobi Ogundiran in Breathe Fiyah (available at TOR.com)

Written as a letter to a king who sent his armies out to conquer rich lands, this story heaves and breathes righteous anger and determination. Because the people the king thought to conquer were not so easily defeated.

Your Pompous Majesty, is your breathing fast, your chest tight? Do you find your dreary castle even more draughty, your kingly robes sticky with cold sweat?

Devoured Stars Over Dublin by Méabh de Brún in Giganotosaurus

A rollicking and hugely entertaining story set in a version of Dublin where the Old Ones have claimed our world and are doing with it whatever the hell they please. There are cracks and fissures in reality that occasionally drop the inhabitants of other parallel universes into the muck and despair of this horrific Dublin, while the regular inhabitants scratch out a living in the dirt, ever hungry and dirty and fearful of their cruel overlords. Reg comes across a newly arrived human from a cleaner parallel universe and together with her significant other Niamh, she is looking to cash in on the selling of the new arrival, but things do not go exactly according to plan. This story plunges you into the muck of a starless world, and I only wish there was more to read about this world and these characters because I absolutely loved this.

In Isolation by Andrew Kozma in Reckoning

Reckoning has published a whole issue-full of content influenced and inspired by the COVID-19 pandemic, including this poignant and piercing essay/fiction by Kozma, reflecting on life and loneliness. It threads together daily life experiences in isolation with a scifi perspective, and the end result is both beautiful and haunting.

In addition to these stories, I want to give a shout-out to a novel: Susanna Clarke's weird, wonderful, and quietly unsettling Piranesi. In honour of that book, I'm including one of Clarke's short stories in this roundup.

Antickes and Frets by Susanna Clarke in The New York Times (also available in her short story collection The Ladies of Grace Adieu and Other Stories)

Clarke's story about the fate of the Queen of Scots blends historical fact with fiction and fantasy. As the darkness gathers for the Queen in her exile, things also slide closer to dark fantasy and horror. The historical figures take their appointed places, but Clarke adds in a magical twist that is concerned with embroidery, and the kind of terrible magic that a woman might wield with needle and thread, if she knows how to sew properly. I love how the threat of dark magic lurks beneath the surface of the real world here, and I think I'll have to read all of Clarke's short stories now. The theme of magic beneath the surface, hidden, but there to be used if one only finds the way to access it, runs through Piranesi as well.

Listen to the audio-version of the roundup.

First published at Curious Fictions. Art is a detail of the cover art for Fantasy Magazine # 61 by Alexandra Petruk/Adobe Stock Image.

October 11, 2020

My Sci-Fi, Fantasy & Horror Short Fiction Roundup - September 2020


 

Apologies for being a bit late with my roundup this month, but here it is: 13 excellent stories I read in September. And if you want even more short fiction to read, I can recommend the speculative fiction stories from my latest Short Fiction Treasures Roundup at Strange Horizons.

We Will Build a Haunted House – Andrew Van Wey in Lamplight Magazine Vol. 8, Issue 3&4

A decidedly haunting and deeply unsettling story where the ragged edges of cruelty, misfortune, and horror cut ever deeper as we follow the origins of a haunted house. We learn about its beginnings and how it grows, how it ensnares the wicked and unwary and willing, how it terrifies  visitors, and pulls children and adults deep into itself until they cannot escape. History wraps itself around the horror, and there’s such a wrenching sense of wounded rage and menace and sorrowful malevolence here. I read this story very late one night, and it followed me into my dreams.

Call Them Children by Wenmimareba Klobah Collins in The Dark

“Mama Dlo,” she says, quiet and child-like in the awkward search for the right words. “She likes children with good, strong singing voices. She’s the one that’s taking them..."

In a world where the water and the mangrove trees are everywhere, the looming threat of Mama Dlo is ever-present and children are disappearing. Braving all the dangers lurking above and below the surface, Yuya heads out into the water to look for Camelia who is missing but as it turns out, the real danger is what awaits Yuya when Camelia is found. A taut, atmospheric horror story that spirals deeper and deeper into nightmarish terror the further we follow Yuya. Beautifully written, deeply weird, and thoroughly wonderful.

More Than Simple Steel by Aimee Ogden in Escape Pod (narrated by Peter Behravesh)

A postapocalyptic tale where only children seem to be left in the world, and where a 16-year old boy, is trying to build a community and care for a group of kids. The responsibility is a heavy burden that is weighing him down and wearing him down, and then, a girl arrives with a gun and everything that was already paper-thin and brittle seems about to unravel. Ogden masterfully makes you feel the tension, love, and strife within this community of children. The characters and especially the relationships between them are so perfectly captured – fraught, tense, taut, and yet full of hope and empathy—and for me, it's this depth that sets this story apart. If you’re looking for a postapocalyptic tale that might be bleak but is NOT devoid of hope, then this is it.

Prism by S.D. Brown in Augur Magazine

This story about a woman who loses her child while she is in prison, is one of the most unsettling, evocative, and memorable stories I’ve read this year. Weaving in and out of the past, the present, and the future, it dips into horror and darkest fantasy. What makes it so devastating is how real it all feels: a childhood marked by death and trauma, by being an outsider, and blighted by a mother who seems beyond reach, even when she’s right there with her knitting. Brown skilfully blends the everyday world with strands of mind-bending strangeness, and yet it's a strangeness that is firmly rooted, and knit into, the fabric of reality.

Silver As the Devil's Necklace by Isabel Cañas in PseudoPod (narrated by Sandra Espinoza)

Ruth's sister Jo is missing. She's gone looking for a black horse she saw, a strange black horse that might, or might not, have been something other than a horse. And now Ruth who said she did not believe Jo, did not believe in that black horse, heads out into the dark and stormy night to find her sister. I love the rich, sumptuous prose of this story and I love the fierce desperation and urgency of Ruth's quest. I also love the way different beings meet here, and how Ruth is assailed, and maybe also helped, by forces she did not quite believe in before.

Phantasmagoria by Abi Hynes in Black Static #76

A quiet and unsettling, yet deeply relatable, story about adolescence, identity, and trying to find a place in the world where you might fit in, body and soul. Hynes's story delves deep into the awkwardness of trying to figure out who you are and who you might become, while also exploring the shame and joy, lust and fear, of being human. There’s a dark thread running through this story that made me think about all the possible lives, and the possible selves, we might have had, might have become, might have explored, and how these other selves and lives might haunt us for the rest of our days.

The Banquet by Lindy Biller in Apparition Literary Magazine (winner of the September Flash Fiction Challenge)

Old-school fairy-tale vibes twine together with the reality of domestic abuse and violence in this gripping, gritty story by Lindy Biller. There’s a father who won’t let his daughter leave, a mother who seems resigned to her fate of serving the man in her life, and a daughter who is determined to escape the confines of the home where she’s grown up. I love the way this story rings with the sound and sights of fairy-tale, yet keeps a real world edge.

Dragon Years by Juliet Kemp in The Future Fire

A warm and moving story about a girl who sees a dragon, first when she's a little girl and then several more times in her life. While she is tempted, she chooses not to follow when it asks her to come... at least the first few times. There's a deep sense of mingled joy and sadness and regret here that is absolutely wonderful, and the ending just about cracked my heart. If you enjoy this story by Kemp, you should also read "Small Magics" in Flash Fiction Online (it was also part of my latest Short Fiction Treasures Roundup for Strange Horizons).

Deep in the Drift, Spinning by Lisa L. Hannett in Beneath Ceaseless Skies

With a mental inhalation, Winni sifts the drift for the right whirl in the air, the right future Gert’s here to imbibe. She draws everything in: these avian vessels, their airborne calls, their salt-spray scent. Magic, not marrow, will soon fill the gull’s delicate bones. Magic to set them all flying.

I love Lisa L. Hannett's fiction, and her stories are often a blend of weirdness and darkness and magic, and this story is an excellent example of her wondrous prose and of her strange, often harrowing, fantasy-worlds. Winni uses the bodies of birds to make and harvest magic. She can change things, she can change people, she can see what might happen. And yet, in spite of that power, she has not been able to get back her daughter, lost now to Winni and headed out on paths of her own. Winni's world is a hardscrabble place, full of hard lives and tough choices, and the choice she ultimately makes here, what she has to sacrifice to get what she wants, makes for a sharp and piercing piece of fiction.

Note To Self by Sunny Moraine in Lightspeed

The notion of the quantum mirror was first floated by two graduate students (Sapna Gupta and Mark Shaw) over a fourth round of beers in a small pub in Cambridge, Massachusetts, and therefore one should consider the role of intoxication in its initial conception. This is not to say that the notion itself was a foolish one; the subsequent procession of events should be sufficient proof that it was not. It’s merely to point out that sometimes a shift in perspective is required to push the world into something new.

Written as an unfinished essay, a work in progress with notes from the author to the reader and conversational asides to themself, this story feels a bit like Umberto Eco's writing, riffling through found notes, blending real world literature and events with science fiction. Moraine's intriguing story twines together scifi and horror as we find out what happened once the first quantum mirror was made and the world was irrevocably changed. Chilling and gripping.

Baboon, Brain, Brick by Louis Evans in The New Modality

Nothing about Aaron Metzger’s mind was out of place except for one comprehensive and overwhelming delusion —  that the forty years from 1978 to 2018 had gone remarkably well. Incredibly well. Those four decades represented a golden age of global peace and prosperity that the doctors could scarcely imagine. 

Oh, this is the story I needed to read in these dark times. It's a story that makes you think that maybe the world could be a better place, maybe it could have been a lot better already, if only people had been able and willing to make other choices. And maybe, in an alternate timeline, we are all doing quite alright. In Evans's story, Aaron Metzger drops into our world with memories of quite a different world lodged in his mind. When he is told of the current reality, he is at first depressed and confounded (I can relate), but then he uses his alternate timeline knowledge to nudge our world in a better direction. Except, well... you'll have to read it to find out what happens. It's a clever, darkly humorous, and heartfelt story that made me long for better days.

The Starflighter from Starym by Tamoha Sengupta in Zooscape

 If legends of lost cities were true on Earth, some credit for these tales went to the whales that lived on the planet of Starym, situated outside the reaches of the Milky Way. 

A delightful and heart-warming (in the best and truest sense of the word) fable of whales in space and the secrets they carry with them, and how one of them ends up alone in Earth's oceans. Eventually, it ends up sparking tales of wonder among those who see it ascend.

Redder by Vajra Chandrasekera in Nightmare

I chew the leaf and spit out my red days. They splatter. You chew the leaf and spit out your hours of mad redder. They splatter. They chew the leaf and spit out the reddest moments they have ever seen. They splatter. This is a scene of crime, chalk me, morn me, eve me. My red life drying on my chin. Your red history a bitter powder crust. Their thin red lines, their spun red webs, their red praxis and deceit.

Compelling, mesmerizing, and full of terror and wonder, this story is nightmarish and visceral. To quote Chandrasekera on Twitter, it features "crocodiles, political assassination, and the tallest of grandmother's tales". It's also part of a set of stories. Again, quoting the writer's Twitter-thread:

“Redder” was written as part of a thematic triptych of sorts, the second of which, titled “Redstarts in the Last Summer,” will appear in next year's Chiral Mad anthology. (The third is written but I haven't sold it yet....)

It's the kind of story I hesitate to even attempt to describe, except to say that it's brilliant.

Listen to the audio-version of the roundup.

First published at Curious Fictions. Art is a detail of Lorna Antoniazzi's cover art for Augur 3.1.